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Point d'ironie “The publication’s broad distribution undermines the idea of the ‘original’. Traditionally, if you owned a photograph, there were at the most 50 copies of it, so it acquired an economic value. Point d’ironie’s mass distribution destroys that value and allows a student or housewife to hang it on the wall. Therein lies an important element of the publication’s originality, since this idea of mass distribution is pretty rate in the art world, where everything works in small circles,” says artist Christian Boltanski. Around four times a year, an artist, film editor, architect... is selected to grant full control of the Point d'ironie paper in its hybrid publishing project: part magazine, part poster. In this exhibition Point d'ironie curator and editor María Inés Rodríguez has designed an installation where an entire set of magazines, from the first issue to the most recent, is used to cover the available space. In addition, 10,000 copies of the magazine, carrying the works of Robert Crumb, Hugues Reip and Melanie Counsell, amongst others, are circulating free. Yoko Ono (artist), Marlene Streeruwitz (author), Rosemarie Trockel (artist), Douglas Gordon (artist), Gilbert & George (artists) ... to name only a few of 45 'publishers' who have directed the editions of Point d'ironie between May 1997 and October 2008. The name of the publication 'Point d'ironie' The publication takes its name from the point d’ironie punctuation mark invented in the late 19th century by French author Alcanter de Brahm to be used at the end of sentences (in the same way as an exclamation or question mark) to indicate ironic passages in the text. more culture>>>
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