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Issue 1: Introduction My first association with Simón Vega's capsule covered by mainly Pilsener beer cans was the space jump by Felix Baumgartner sponsored by Red Bull. My initial thought was "Well, the Latin Americans prefer beer for flying high." But this interpretation would be too easy for an art work at La Biennale di Venezia. Simón Vega's capsule (covered with beverage cans; inside, it is equipped with TV, toilette paper - obviously for longer travels) carries the name 'Third World Sputnik' and refers in a humorous way the Soviet Space flight Korabl-Sputnik 5 from the early 60ies with mannequin Ivan Ivanovich on board. But why a parody on space flight? Beneath the parody plot, Simón Vega addresses the political and social situation of El Salvador from the 1950s until the 1980s during times of Cold War. Simón Vega mentions the space run between US and USSR (50s, 60s), the relation between El Salvador and the USA under Ronald Reagan in the 1980s, the Salvadoran civil war, rich and poor, high tech and no tech. The artist explains that the art work 'Third World Sputnik' "...combines elements from the Space Race with those of a society that struggled with a post colonial, military and dictatorship run system. It speaks of our all too soon forgotten past by means of a futuristic out of this world spacecraft." simon-vega.blogspot.com. |
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